Get ready to be blown away by the explosive debut album, 'Cannonball', from the enigmatic band Man/Woman/Chainsaw. This South London collective is not your typical art-rock brigade; they've got a unique sound that defies easy categorization.
The album opens with a bang, quite literally, on 'Only Girl', setting the tone for a journey through a sea of shoegaze guitars and uplifting melodies. It's a refreshing take on pop music, as guitarist Billy Ward puts it, 'not weird for weird's sake'.
'Canyons' showcases their versatility, starting as a soulful ballad before transforming into a grunge-infused assault, a true testament to their ability to surprise and delight. 'Still Angry' could easily top the charts, yet it's given a unique twist by the band's demented rock approach.
The band's origins are as intriguing as their music. Formed at a young age, they honed their craft in unconventional spaces, playing over 100 gigs by the time they were 19. Their live performances are where they truly shine, and 'Cannonball' captures this energy perfectly.
With shared lead vocals and a diverse range of instruments, including violin, guitar, and keys, Man/Woman/Chainsaw create a rich and dynamic sound. Tracks like 'Nosedive' and 'Godddamn, Lizard Man!' showcase their ability to blend cinematic tension, dancefloor energy, and gothic menace.
From the tango-inspired 'Flick Of The Wrist' to the desert rock of 'The Thing', and the trip-hop closer 'Something Else To Give', 'Cannonball' is an album of contrasts and experimentation. It's a bold statement, yet it never feels excessive, instead, it's playfully engaging and emotionally raw.
Personally, I think Man/Woman/Chainsaw have crafted an exceptional debut, and I can't wait to see what they do next. With their unique blend of genres and anthemic songs, they're a band to watch out for. This cannonball has certainly made a memorable splash, and I predict great things for their future.
